Danish Neoclassical Painter, 1783-1853 Danish painter and teacher. He has been called 'the father of Danish painting' because of the influence he exerted on Danish painters in the second quarter of the 19th century. With Christen K?bke he was the leading painter of the Danish 'Golden Age' (c. 1800-1850).   Related Paintings of Christoffer Wilhelm Eckersberg :. | La bonne mere | Portrait of Thorvaldsen Italian mistress, Anna Maria Magnani | Portrait of Louise Christiane Fugl | Portrait of Marie Sophie of Hesse Kassel | View through three northwest arches of the Colossum in Rome,Storm gathering over the city |
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Juan Bautista de Espinosa
(1590-1641, Madrid) was a Spanish still life painter. More paintings remain of him than biographical data and there is only one known painting remaining. It is only known that he worked in Toledo and Madrid from 1612 to 1626 and, judging by his style, he was trained in Holland. De Espinosa's style is judged to be the transition from Flemish Baroque to Spanish Baroque. Several mural paintings in Spanish churches are also attributed to him; one of these is in Alcaudete.
haaken gullesons
Ytterlännäs parish, in the province of Ångermanland, belonged to the Archdiocese of Uppsala in the Middle Ages, but has been part of the Diocese of Härnösand since that was formed in 1647. The two churches of he parish, the old one from the early 13th century, and the new one from 1848-1854, are located between the communities of Nyland and Bollstabruk, within Kramfors Municipality. The Ytterlännäs New Church taken into use in 1854 is an example of the style known as a tegnarlada ("Tegnor barn") - spacious, white, clean, neo-classical. The Ytterlännäs Old Church (Ytterlännäs Gamla Kyrka) dates from the 1200s and features medieval vaults, wall-paintings and wooden sculptures, and baroque furnishings including the unusual feature of two galleries; the Ytterlännäs Madonna is regarded by experts as a particularly fine example of the work from the Hälsingland workshop of Haaken Gulleson, all in an excellent state of preservation thanks to the church's being abandoned after 1854.
Sir Samuel Fildes
English Painter, 1843-1927